AP Exclusive: Autopsy shocker: Jackson was healthy
LOS ANGELES – Michael Jackson's arms were covered with punctures, his face and neck were scarred and he had tattooed eyebrows and lips, but he wasn't the sickly skeleton of a man portrayed by tabloids, according to his autopsy report obtained by The Associated Press.
In fact, the Los Angeles County coroner's report shows Jackson was a fairly healthy 50-year-old before he died of an overdose. His 136 pounds were in the acceptable range for a 5-foot-9 man. His heart was strong with no sign of plaque buildup. And his kidneys and most other major organs were normal.
Still, Jackson had health issues: arthritis in the lower spine and some fingers, and mild plaque buildup in his leg arteries. Most serious was his lungs, which the autopsy report said were chronically inflamed and had reduced capacity that might have left him short of breath.
However, according to the document, the lung condition was not serious enough to be a direct or contributing cause of death.
"His overall health was fine," said Dr. Zeev Kain, chairman of the anesthesiology department at the University of California, Irvine, who reviewed a copy of the autopsy report for the AP. "The results are within normal limits."
Kain was not involved in the autopsy. The full autopsy report has not been released publicly, but the AP obtained a copy.
Jackson died at his rented Los Angeles mansion June 25 after his personal physician, Dr. Conrad Murray, administered the anesthetic propofol and two other sedatives to get the chronic insomniac to sleep, court documents state. Propofol, normally a surgical anesthetic used in operating rooms, acts as a respiratory depressant and requires constant monitoring,
Murray told police he left the room to use the bathroom and phone records show he also made calls for 47 minutes around the time Jackson encountered problems. When Murray realized Jackson was unresponsive, he began frantic efforts to revive him, but Jackson never regained consciousness and was declared dead at the University of California, Los Angeles Medical Center.
The coroner's office announced last month that Jackson's death was a homicide caused by "acute propofol intoxication," with the other sedatives listed as a contributing factor. They said the standard of care for administering propofol was not met and the recommended equipment for patient monitoring, precision dosing and resuscitation was missing.
Murray is the target of what Los Angeles police term a manslaughter investigation. The decision on criminal charges will come from the Los Angeles County district attorney's office. Murray has been interviewed twice by police.
Except for a brief video posted to YouTube, Murray has not spoken publicly since Jackson's death. In the video, he said: "I told the truth and I have faith the truth will prevail." Murray's attorney, Edward Chernoff, previously has said nothing Murray gave Jackson "should have" killed him.
Jackson was declared dead a little more than two hours after paramedics were called. Evidence of the desperate struggle to save the star were evident on his body. He had chest bruising and cracked ribs from CPR, and a mechanical device known as a balloon pump was inserted into his heart to try to restart it, according to the autopsy report.
Jackson's body was taken by helicopter to the coroner's office where the following morning Chief Medical Examiner Lakshmanan Sathyavagiswaran and Dr. Christopher Rogers carried out an extensive review and ordered a toxicology screening to look for drugs in his system.
Aside from propofol and the sedatives, the only substances found in his system were the local anesthetic, Lidocaine, sometimes used to numb injection sites and ephedrine, a commonly used resuscitation stimulant.
No other drugs — legal or otherwise — were detected, nor was any alcohol.
Kain said he was surprised that three other sedatives, known as benzodiazepines, were present with propofol. Anesthesiologists sometimes mix one "benzo" with propofol to help put a patient under, but using three increases the danger for the patient.
"People don't mix the benzodiazepines together because they interact with each other and increase the risk of respiratory arrest," Kain said, adding it was likely Jackson first stopped breathing and then suffered cardiac arrest.
The autopsy findings cut off a potential defense for Murray — that Jackson hid serious pre-existing conditions that increased the risk of death from the drugs he willingly took. Even if he did hide a condition such as his weakened lungs, a prosecutor could argue Murray should have detected the condition before administering drugs, said Michael Brennan, a clinical law professor at the University of Southern California who specializes in criminal defense.
"A doctor has some obligation to know what his patient's physical condition is," Brennan said. "The doctor is going to try to substantiate whatever the patient told him ... and not simply rely on a patient's descriptions of his physical condition."
At the time of his death Jackson was preparing for a series of comeback concerts in London. Rehearsals were rigorous and there were questions about whether Jackson would be physically able to hold up.
But aside from his lungs, the autopsy report did not identify any serious physical problems that might have limited Jackson's ability to perform. It also provided details about his physical state from head to toes.
He had a 3/4-inch scar behind his left ear and another apparent scar behind his right ear. He had a scar beside each of his nostrils and another, 4-inch scar on his right shoulder. He had a pair of additional scars about 3-inches long at the base of his neck and smaller scars on his arms and wrist. He also had a small scar near his navel and a 2-inch scar on the right-hand side of his abdomen.
Kain said most of the scars appeared to be from plastic surgery though others, like a scar on the knee, could have been from a medical procedure.
The medical examiner found numerous punctures on both arms and on a knee and ankle. The leg punctures could have been from intravenous therapies not described in the autopsy report, Kain said.
Jackson had several tattoos, all them cosmetic, including dark tattoos in the areas of both eyebrows and under his eyes, and a pink tattoo around his lips.
He was going bald at the front of his head, with his remaining hair described as short and tightly curled. The bald part of his scalp was darkened with what appeared to be a tattoo stretching across the top of his head from ear to ear.
The coroner found depigmentation of his skin around his chest, abdomen, face and arms.
The coroner also found Jackson was actively producing sperm.
source: http://news.yahoo.com/s/ap/20091001/ap_on_en_mu/us_michael_jackson_autopsy
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In fact, the Los Angeles County coroner's report shows Jackson was a fairly healthy 50-year-old before he died of an overdose. His 136 pounds were in the acceptable range for a 5-foot-9 man. His heart was strong with no sign of plaque buildup. And his kidneys and most other major organs were normal.
Still, Jackson had health issues: arthritis in the lower spine and some fingers, and mild plaque buildup in his leg arteries. Most serious was his lungs, which the autopsy report said were chronically inflamed and had reduced capacity that might have left him short of breath.
However, according to the document, the lung condition was not serious enough to be a direct or contributing cause of death.
"His overall health was fine," said Dr. Zeev Kain, chairman of the anesthesiology department at the University of California, Irvine, who reviewed a copy of the autopsy report for the AP. "The results are within normal limits."
Kain was not involved in the autopsy. The full autopsy report has not been released publicly, but the AP obtained a copy.
Jackson died at his rented Los Angeles mansion June 25 after his personal physician, Dr. Conrad Murray, administered the anesthetic propofol and two other sedatives to get the chronic insomniac to sleep, court documents state. Propofol, normally a surgical anesthetic used in operating rooms, acts as a respiratory depressant and requires constant monitoring,
Murray told police he left the room to use the bathroom and phone records show he also made calls for 47 minutes around the time Jackson encountered problems. When Murray realized Jackson was unresponsive, he began frantic efforts to revive him, but Jackson never regained consciousness and was declared dead at the University of California, Los Angeles Medical Center.
The coroner's office announced last month that Jackson's death was a homicide caused by "acute propofol intoxication," with the other sedatives listed as a contributing factor. They said the standard of care for administering propofol was not met and the recommended equipment for patient monitoring, precision dosing and resuscitation was missing.
Murray is the target of what Los Angeles police term a manslaughter investigation. The decision on criminal charges will come from the Los Angeles County district attorney's office. Murray has been interviewed twice by police.
Except for a brief video posted to YouTube, Murray has not spoken publicly since Jackson's death. In the video, he said: "I told the truth and I have faith the truth will prevail." Murray's attorney, Edward Chernoff, previously has said nothing Murray gave Jackson "should have" killed him.
Jackson was declared dead a little more than two hours after paramedics were called. Evidence of the desperate struggle to save the star were evident on his body. He had chest bruising and cracked ribs from CPR, and a mechanical device known as a balloon pump was inserted into his heart to try to restart it, according to the autopsy report.
Jackson's body was taken by helicopter to the coroner's office where the following morning Chief Medical Examiner Lakshmanan Sathyavagiswaran and Dr. Christopher Rogers carried out an extensive review and ordered a toxicology screening to look for drugs in his system.
Aside from propofol and the sedatives, the only substances found in his system were the local anesthetic, Lidocaine, sometimes used to numb injection sites and ephedrine, a commonly used resuscitation stimulant.
No other drugs — legal or otherwise — were detected, nor was any alcohol.
Kain said he was surprised that three other sedatives, known as benzodiazepines, were present with propofol. Anesthesiologists sometimes mix one "benzo" with propofol to help put a patient under, but using three increases the danger for the patient.
"People don't mix the benzodiazepines together because they interact with each other and increase the risk of respiratory arrest," Kain said, adding it was likely Jackson first stopped breathing and then suffered cardiac arrest.
The autopsy findings cut off a potential defense for Murray — that Jackson hid serious pre-existing conditions that increased the risk of death from the drugs he willingly took. Even if he did hide a condition such as his weakened lungs, a prosecutor could argue Murray should have detected the condition before administering drugs, said Michael Brennan, a clinical law professor at the University of Southern California who specializes in criminal defense.
"A doctor has some obligation to know what his patient's physical condition is," Brennan said. "The doctor is going to try to substantiate whatever the patient told him ... and not simply rely on a patient's descriptions of his physical condition."
At the time of his death Jackson was preparing for a series of comeback concerts in London. Rehearsals were rigorous and there were questions about whether Jackson would be physically able to hold up.
But aside from his lungs, the autopsy report did not identify any serious physical problems that might have limited Jackson's ability to perform. It also provided details about his physical state from head to toes.
He had a 3/4-inch scar behind his left ear and another apparent scar behind his right ear. He had a scar beside each of his nostrils and another, 4-inch scar on his right shoulder. He had a pair of additional scars about 3-inches long at the base of his neck and smaller scars on his arms and wrist. He also had a small scar near his navel and a 2-inch scar on the right-hand side of his abdomen.
Kain said most of the scars appeared to be from plastic surgery though others, like a scar on the knee, could have been from a medical procedure.
The medical examiner found numerous punctures on both arms and on a knee and ankle. The leg punctures could have been from intravenous therapies not described in the autopsy report, Kain said.
Jackson had several tattoos, all them cosmetic, including dark tattoos in the areas of both eyebrows and under his eyes, and a pink tattoo around his lips.
He was going bald at the front of his head, with his remaining hair described as short and tightly curled. The bald part of his scalp was darkened with what appeared to be a tattoo stretching across the top of his head from ear to ear.
The coroner found depigmentation of his skin around his chest, abdomen, face and arms.
The coroner also found Jackson was actively producing sperm.
source: http://news.yahoo.com/s/ap/20091001/ap_on_en_mu/us_michael_jackson_autopsy
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Shakira To Give 'Ugly Betty' Some S.O.S.
Colombian superstar will guest-star in an upcoming episode in the Bahamas.
"Ugly Betty" is about to get a lot more beautiful. Shakira will play herself in an upcoming episode of the ABC comedy.
"We're huge fans of Shakira," show creator Silvio Horta told People, adding that the cameo springs from a moment in the show's first season. "We had a very memorable moment in the third episode where Betty has a makeover that goes wrong and she struts down the street to 'Hips Don't Lie.' "
Horta said the Colombian superstar was perfect for the show about a young Latina woman, Betty (America Ferrera), trying to make it in the cutthroat world of fashion magazines. "We've mentioned her several times over the course of the series and have always wanted to work with her. She's an enormous Latina icon, as is Betty, and we thought it was a perfect fit."
In the episode titled, "The Bahamas Triangle," Shakira helps fix a "Mode" fashion shoot that got off track on location in the Bahamas (where, incidentally, the singer recorded her upcoming album, She Wolf).
Shakira is only one of the big names stopping by "Ugly Betty" this season. Supermodel Christie Brinkley will join the show as Penelope Graybridge, an editor at a competing magazine, and according to E! Online, Kristen Johnston will be guest starring in the role originally meant for Paula Abdul.
source: http://www.mtv.com/news/articles/1622751/20091001/shakira.jhtml?rsspartner=rssYahooNewscrawler
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"Ugly Betty" is about to get a lot more beautiful. Shakira will play herself in an upcoming episode of the ABC comedy.
"We're huge fans of Shakira," show creator Silvio Horta told People, adding that the cameo springs from a moment in the show's first season. "We had a very memorable moment in the third episode where Betty has a makeover that goes wrong and she struts down the street to 'Hips Don't Lie.' "
Horta said the Colombian superstar was perfect for the show about a young Latina woman, Betty (America Ferrera), trying to make it in the cutthroat world of fashion magazines. "We've mentioned her several times over the course of the series and have always wanted to work with her. She's an enormous Latina icon, as is Betty, and we thought it was a perfect fit."
In the episode titled, "The Bahamas Triangle," Shakira helps fix a "Mode" fashion shoot that got off track on location in the Bahamas (where, incidentally, the singer recorded her upcoming album, She Wolf).
Shakira is only one of the big names stopping by "Ugly Betty" this season. Supermodel Christie Brinkley will join the show as Penelope Graybridge, an editor at a competing magazine, and according to E! Online, Kristen Johnston will be guest starring in the role originally meant for Paula Abdul.
source: http://www.mtv.com/news/articles/1622751/20091001/shakira.jhtml?rsspartner=rssYahooNewscrawler
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This is it Michael Jackson MOVIE plus PHOTOS
Michael Jackson's THIS IS IT will offer Jackson fans and music lovers worldwide a rare, behind-the-scenes look at the performer as he developed, created and rehearsed for his sold-out concerts that would have taken place beginning this summer in London's O2 Arena. Chronicling the months from April through June, 2009, the film is produced with the full support of the Estate of Michael Jackson and drawn from more than one hundred hours of behind-the-scenes footage, featuring Jackson rehearsing a number of his songs for the show.
Audiences will be given a privileged and private look at Jackson as he has never been seen before. In raw and candid detail, Michael Jackson's THIS IS IT captures the singer, dancer, filmmaker, architect, creative genius and great artist at work as he creates and perfects his final show. Kenny Ortega, who was both Michael Jackson's creative partner and the director of the stage show is also directing the film, which is being produced by Randy Phillips, Kenny Ortega and Paul Gongaware. Executive producers are John Branca and John McClain. The film will be distributed worldwide by Sony Pictures Releasing. Tickets for the limited two-week engagement of the film go on sale beginning September 27.
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Audiences will be given a privileged and private look at Jackson as he has never been seen before. In raw and candid detail, Michael Jackson's THIS IS IT captures the singer, dancer, filmmaker, architect, creative genius and great artist at work as he creates and perfects his final show. Kenny Ortega, who was both Michael Jackson's creative partner and the director of the stage show is also directing the film, which is being produced by Randy Phillips, Kenny Ortega and Paul Gongaware. Executive producers are John Branca and John McClain. The film will be distributed worldwide by Sony Pictures Releasing. Tickets for the limited two-week engagement of the film go on sale beginning September 27.
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Barbra Streisand gets nostalgic on latest CD plus Music Video
NEW YORK – When Barbra Streisand was a 19-year-old ingenue, she never had a problem performing in front of small crowds — it was her livelihood. The Brooklyn girl could only get gigs in clubs that sat a few dozen people.
As she got more famous she abandoned tiny clubs for grand stages. After a while, it got to the point where she couldn't perform for a small crowd, even if was an intimate gathering of friends and family.
"I can't get up and sing when I see faces, I just don't know how to react — I need blackness to go into my own kind of world," the 67-year-old said in an interview last week. "It's disturbing to see people, because if they're not totally enthralled I'm heartbroken, and I get sad and I go, 'Oh god, what am I doing wrong?'"
Streisand didn't have to worry about that kind of reaction during a weekend performance at the famed Village Vanguard, a tiny but historic jazz club in Manhattan's Greenwich Village where greats like Miles Davis performed (and where she tried, unsuccessfully, to perform nearly four decades ago).
She wowed a crowd that represented a fraction of her regular audiences, as about 90 fans, including VIPs like former President Bill Clinton, crammed the club.
But Streisand admitted she was a bit nervous in the days leading up to the event. So why do it?
"It's an adventure — and yet it's nostalgic, isn't it? It's going back to where I began," Streisand said.
The same can be said for her new CD, "Love is the Answer," which was released Tuesday — her first in four years. The album features Streisand singing classics like "In the Wee Small Hours of the Morning" and "Smoke Gets In Your Eyes."
But while the material may have been familiar to Streisand, the recording process was not.
For the first time, she worked with jazz artist Diana Krall as producer, and did it Krall's way. She performed with Krall's quartet of musicians first, then added orchestration later, instead of her usual practice of performing with an orchestra at the outset (the deluxe edition of the CD features both the quartet performances and the orchestra versions).
But even though Krall was the producer, Streisand — the album's executive producer — was clear about what she wanted.
"She's the director — she's Barbra Streisand," Krall said in an interview earlier this year. "She knows what she wants ... (and) it's been really fun to see her work with the band that I've worked with."
The album is Streisand's first studio production since 2005's "One Voice" with Barry Gibb. Streisand fretted that her voice might not be up to it. Construction on a house left her hoarse as she shouted over the din of the noise and giving directions.
"When I tried to sing I just couldn't make any of the notes," she said, as she recalled her voice before she started recording. "(But) for some reason .... all of the sudden I had a voice — what was exciting was that my voice was there."
Though Streisand recently toured Europe and famously returned to the stage for a tour in 2006 after a 12-year hiatus, she has no plans to tour for her new CD. She recalled a recent dinner with Coldplay's Chris Martin, where the rock singer told her his group tour their records for two years.
Streisand said she couldn't imagine doing that: "I get bored singing the same songs."
In fact, if she had her way, she wouldn't do much to promote her latest CD. She had only done a handful of interviews. This one took place not at her record label but at the Clinton Global Initiative, an annual event started by the former president that focuses on solving problems including climate change, poverty, health and education.
Yet Streisand took special satisfaction in her Vanguard gig. Despite some reports, Streisand says she never officially performed there decades ago but only auditioned briefly for the club's then owner, Max Gordon, when her good friend, Rick Edelstein, asked him to listen to Streisand (and got Miles Davis' band to stand in as backup).
When Gordon told Edelstein she was "too undisciplined" to hire, Edelstein replied: "But she's gonna really be big someday, you're gonna have to pay her big money."
Gordon's reply? "What do you know? You're a waiter."
The story still brings a smile to Streisand's face nearly 40 years later.
"At least I did audition there, and didn't get the job," she says. "Now I got the job."
source: http://news.yahoo.com/s/ap/20090929/ap_on_en_mu/us_music_barbra_streisand_5
SEE MORE HOT CELEBRITIES HERE. UPDATED!
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As she got more famous she abandoned tiny clubs for grand stages. After a while, it got to the point where she couldn't perform for a small crowd, even if was an intimate gathering of friends and family.
"I can't get up and sing when I see faces, I just don't know how to react — I need blackness to go into my own kind of world," the 67-year-old said in an interview last week. "It's disturbing to see people, because if they're not totally enthralled I'm heartbroken, and I get sad and I go, 'Oh god, what am I doing wrong?'"
Streisand didn't have to worry about that kind of reaction during a weekend performance at the famed Village Vanguard, a tiny but historic jazz club in Manhattan's Greenwich Village where greats like Miles Davis performed (and where she tried, unsuccessfully, to perform nearly four decades ago).
She wowed a crowd that represented a fraction of her regular audiences, as about 90 fans, including VIPs like former President Bill Clinton, crammed the club.
But Streisand admitted she was a bit nervous in the days leading up to the event. So why do it?
"It's an adventure — and yet it's nostalgic, isn't it? It's going back to where I began," Streisand said.
The same can be said for her new CD, "Love is the Answer," which was released Tuesday — her first in four years. The album features Streisand singing classics like "In the Wee Small Hours of the Morning" and "Smoke Gets In Your Eyes."
But while the material may have been familiar to Streisand, the recording process was not.
For the first time, she worked with jazz artist Diana Krall as producer, and did it Krall's way. She performed with Krall's quartet of musicians first, then added orchestration later, instead of her usual practice of performing with an orchestra at the outset (the deluxe edition of the CD features both the quartet performances and the orchestra versions).
But even though Krall was the producer, Streisand — the album's executive producer — was clear about what she wanted.
"She's the director — she's Barbra Streisand," Krall said in an interview earlier this year. "She knows what she wants ... (and) it's been really fun to see her work with the band that I've worked with."
The album is Streisand's first studio production since 2005's "One Voice" with Barry Gibb. Streisand fretted that her voice might not be up to it. Construction on a house left her hoarse as she shouted over the din of the noise and giving directions.
"When I tried to sing I just couldn't make any of the notes," she said, as she recalled her voice before she started recording. "(But) for some reason .... all of the sudden I had a voice — what was exciting was that my voice was there."
Though Streisand recently toured Europe and famously returned to the stage for a tour in 2006 after a 12-year hiatus, she has no plans to tour for her new CD. She recalled a recent dinner with Coldplay's Chris Martin, where the rock singer told her his group tour their records for two years.
Streisand said she couldn't imagine doing that: "I get bored singing the same songs."
In fact, if she had her way, she wouldn't do much to promote her latest CD. She had only done a handful of interviews. This one took place not at her record label but at the Clinton Global Initiative, an annual event started by the former president that focuses on solving problems including climate change, poverty, health and education.
Yet Streisand took special satisfaction in her Vanguard gig. Despite some reports, Streisand says she never officially performed there decades ago but only auditioned briefly for the club's then owner, Max Gordon, when her good friend, Rick Edelstein, asked him to listen to Streisand (and got Miles Davis' band to stand in as backup).
When Gordon told Edelstein she was "too undisciplined" to hire, Edelstein replied: "But she's gonna really be big someday, you're gonna have to pay her big money."
Gordon's reply? "What do you know? You're a waiter."
The story still brings a smile to Streisand's face nearly 40 years later.
"At least I did audition there, and didn't get the job," she says. "Now I got the job."
source: http://news.yahoo.com/s/ap/20090929/ap_on_en_mu/us_music_barbra_streisand_5
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About a Girl Sugababes Music Video Exclusive
"Girls" is a song performed by British girl group Sugababes. It was written by Anna McDonald and Nicole Jenkinson, and produced by Si Hulbert and Melvin Kuiters for the band's sixth studio album Catfights and Spotlights (2008), featuring an interpolation of Ernie K-Doe's record "Here Come the Girls," as written by Allen Toussaint.
The single for "Girls" was released as the album's lead single on 6 October 2008 in the United Kingdom, and features remixes by Fred Falke, Dennis Christopher and Funkerman. A moderate chart success around Europe in comparison with previous single, the song peaked in the top-three in Estonia, and the United Kingdom, and reached the top-twenty in Ireland and Turkey as well as the top-fifty in several countries including Slovakia, Ukraine and the Czech Republic. source: wikipedia
About A Girl lyrics - SUGABABES
Red One
Sugababes
Girls bring the fun of life, sugar like apple pie, let’s have a party-oh!
Let’s have a party-oh!
Let’s have a party-oh!
You think I’m sexy, huh?
I’m international, think you can make me fall?
What do you know? (What do you know)
I’m in my Louis Vuitton’s, fire like a bomb, and I’ll be ducking calls ’til I go home
(’Til I go home)
We like them lights (Yeah we love it)
Stars and stripes (L-L-love it)
All night (Yeah we love it)
I can see
You don’t know about a girl,
I’ll take over the world, and I’m gonna party like woah-oh-oh-oh-oh!
You don’t know about a girl,
the meaning of the word,
‘cos we just wanna party like woah-oh-oh-oh-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
The games you play, why can’t I play that way,
I’ll break your heart and then I’ll mend it up
(I’ll mend it up)
Shine like a disco ball,
your intuition calls,
but to me that ball is not enough
(Not enough)
We like them lights (Yeah we love it)
Stars and stripes (L-L-love it)
All night (Yeah we love it)
I can see
You don’t know about a girl,
I’ll take over the world, and I’m gonna party like woah-oh-oh-oh-oh!
You don’t know about a girl,
the meaning of the word,
‘cos we just wanna party like woah-oh-oh-oh-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
Girls bring the fun of life,
sugar like apple pie,
take a trip to paradise,
let’s have a party-oh!
Beauty like you never saw,
take your number never call,
bite the apple take your heart,
let’s have a party-oh!
Girls bring the fun of life,
sugar like apple pie,
take a trip to paradise,
let’s have a party-oh!
Beauty like you never saw,
take your number never call,
bite the apple take your heart,
let’s have a party-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
You don’t know about a girl,
I’ll take over the world,
and I’m gonna party like woah-oh-oh-oh-oh!
You don’t know about a girl,
the meaning of the word,
‘cos we just wanna party like woah-oh-oh-oh-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh! View Here...
The single for "Girls" was released as the album's lead single on 6 October 2008 in the United Kingdom, and features remixes by Fred Falke, Dennis Christopher and Funkerman. A moderate chart success around Europe in comparison with previous single, the song peaked in the top-three in Estonia, and the United Kingdom, and reached the top-twenty in Ireland and Turkey as well as the top-fifty in several countries including Slovakia, Ukraine and the Czech Republic. source: wikipedia
About A Girl lyrics - SUGABABES
Red One
Sugababes
Girls bring the fun of life, sugar like apple pie, let’s have a party-oh!
Let’s have a party-oh!
Let’s have a party-oh!
You think I’m sexy, huh?
I’m international, think you can make me fall?
What do you know? (What do you know)
I’m in my Louis Vuitton’s, fire like a bomb, and I’ll be ducking calls ’til I go home
(’Til I go home)
We like them lights (Yeah we love it)
Stars and stripes (L-L-love it)
All night (Yeah we love it)
I can see
You don’t know about a girl,
I’ll take over the world, and I’m gonna party like woah-oh-oh-oh-oh!
You don’t know about a girl,
the meaning of the word,
‘cos we just wanna party like woah-oh-oh-oh-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
The games you play, why can’t I play that way,
I’ll break your heart and then I’ll mend it up
(I’ll mend it up)
Shine like a disco ball,
your intuition calls,
but to me that ball is not enough
(Not enough)
We like them lights (Yeah we love it)
Stars and stripes (L-L-love it)
All night (Yeah we love it)
I can see
You don’t know about a girl,
I’ll take over the world, and I’m gonna party like woah-oh-oh-oh-oh!
You don’t know about a girl,
the meaning of the word,
‘cos we just wanna party like woah-oh-oh-oh-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
Girls bring the fun of life,
sugar like apple pie,
take a trip to paradise,
let’s have a party-oh!
Beauty like you never saw,
take your number never call,
bite the apple take your heart,
let’s have a party-oh!
Girls bring the fun of life,
sugar like apple pie,
take a trip to paradise,
let’s have a party-oh!
Beauty like you never saw,
take your number never call,
bite the apple take your heart,
let’s have a party-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
You don’t know about a girl,
I’ll take over the world,
and I’m gonna party like woah-oh-oh-oh-oh!
You don’t know about a girl,
the meaning of the word,
‘cos we just wanna party like woah-oh-oh-oh-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh!
So we gon’ take it oh-oh ha-ay-ah oh-oh ha-ay-oh!
oh-oh ha-ay-ah oh-oh ha-ay-oh! View Here...
Sugababe hate mail
Amelle Berrabah has been bombarded with hate mail after the departure of fellow Sugababe Keisha Buchanan, it has been claimed. Angry fans are said to have blamed her for the departure of the last original member in the girl band.
A source claims she is "petrified" by the reaction to the news that Jade Ewan will join, while Keisha goes solo.
"Her management have received thousands of abusive letters whilst her Twitter page has been overrun with them. She's petrified - some have been really threatening.
"She won't be hitting the club scene until everything has died down. She feels she is at risk", they explained.
The latest incarnation of Sugababes are expected to release their new single, "About A Girl", in the coming weeks.
source: http://uk.news.launch.yahoo.com/dyna/article.html?a=/090928/340/ir8h3.html&e=l_news_dm
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A source claims she is "petrified" by the reaction to the news that Jade Ewan will join, while Keisha goes solo.
"Her management have received thousands of abusive letters whilst her Twitter page has been overrun with them. She's petrified - some have been really threatening.
"She won't be hitting the club scene until everything has died down. She feels she is at risk", they explained.
The latest incarnation of Sugababes are expected to release their new single, "About A Girl", in the coming weeks.
source: http://uk.news.launch.yahoo.com/dyna/article.html?a=/090928/340/ir8h3.html&e=l_news_dm
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Madonna's U.K. Chart 'Celebration'
Madonna matched Elvis Presley's U.K. record for a solo act as her "Celebration" retrospective (Warner Bros.) debuted at No. 1. Taio Cruz started a second week atop thesingles chart with "Break Your Heart" (Universal Island).
Madonna and Presley, with 11 No. 1s each in the U.K., are now joint second only to the Beatles, who have 15 to their name. According to U.K. Chart Company data, Madonna has also spent more weeks at No. 1 in the market, 29, than any other female solo artist.
"Celebration" pushed label mate Muse's No. 1 of last week, "The Resistance" (Helium 3/Warner Bros.), down into runner-up spot, while Dizzee Rascal's "Tongue N' Cheek" (Dirtee Stank) debuted at No. 3. The U.K. rapper also had a new entry on the chart last night (Sunday) at No. 11 on the singles chart with "Dirtee Cash."
Mika's sophomore album for Casablanca/Universal Island, "The Boy Who Knew Too Much," opened at No. 4, with chart veterans Cliff Richard and the Shadows' "Reunited" (EMI) new at No. 6. Pearl Jam's "Backspacer" (Monkey Wrench/Universal) started at No. 9, becoming the band's seventh U.K. top ten album.
"Total Madness" (Union Square), a new compilation by long-serving "Nutty Boys" of British pop, Madness, came in at No. 11, followed at No. 17 by Sheffield songwriter Richard Hawley's "Truelove's Gutter" (Mute) and Michael Bolton's new album "One World One Love" (Universal Music Record Label) at No. 19.
Taio Cruz remained at No. 1 on the singles survey as the former chart-topper "Sexy Chick" (Positiva/Virgin/EMI) by David Guetta featuring Akon held at No. 2. "Empire State of Mind" (Roc Nation/Warner Music) by Jay-Z featuring Alicia Keys raced 15-3, one of Jay-Z's three titles in the top 40.
Shakira's "She Wolf" (Epic/Sony Music Entertainment) rose 5-4 and Temper Trap's "Sweet Disposition" (Infectious Music) 16-12. Kings of Leon's apparently inexhaustible smash hits "Sex On Fire" and "Use Somebody" rose yet again, 18-16 and 47-25 respectively.
The Muse album went straight to No. 1 on Billboard's European Top 100 Albums, while "Sexy Chick" withstood the challenge of Madonna's "Celebration" for a third week atop European Hot 100 Singles.
source: http://www.billboard.com/#/news/madonna-s-u-k-chart-celebration-1004016343.story
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Madonna and Presley, with 11 No. 1s each in the U.K., are now joint second only to the Beatles, who have 15 to their name. According to U.K. Chart Company data, Madonna has also spent more weeks at No. 1 in the market, 29, than any other female solo artist.
"Celebration" pushed label mate Muse's No. 1 of last week, "The Resistance" (Helium 3/Warner Bros.), down into runner-up spot, while Dizzee Rascal's "Tongue N' Cheek" (Dirtee Stank) debuted at No. 3. The U.K. rapper also had a new entry on the chart last night (Sunday) at No. 11 on the singles chart with "Dirtee Cash."
Mika's sophomore album for Casablanca/Universal Island, "The Boy Who Knew Too Much," opened at No. 4, with chart veterans Cliff Richard and the Shadows' "Reunited" (EMI) new at No. 6. Pearl Jam's "Backspacer" (Monkey Wrench/Universal) started at No. 9, becoming the band's seventh U.K. top ten album.
"Total Madness" (Union Square), a new compilation by long-serving "Nutty Boys" of British pop, Madness, came in at No. 11, followed at No. 17 by Sheffield songwriter Richard Hawley's "Truelove's Gutter" (Mute) and Michael Bolton's new album "One World One Love" (Universal Music Record Label) at No. 19.
Taio Cruz remained at No. 1 on the singles survey as the former chart-topper "Sexy Chick" (Positiva/Virgin/EMI) by David Guetta featuring Akon held at No. 2. "Empire State of Mind" (Roc Nation/Warner Music) by Jay-Z featuring Alicia Keys raced 15-3, one of Jay-Z's three titles in the top 40.
Shakira's "She Wolf" (Epic/Sony Music Entertainment) rose 5-4 and Temper Trap's "Sweet Disposition" (Infectious Music) 16-12. Kings of Leon's apparently inexhaustible smash hits "Sex On Fire" and "Use Somebody" rose yet again, 18-16 and 47-25 respectively.
The Muse album went straight to No. 1 on Billboard's European Top 100 Albums, while "Sexy Chick" withstood the challenge of Madonna's "Celebration" for a third week atop European Hot 100 Singles.
source: http://www.billboard.com/#/news/madonna-s-u-k-chart-celebration-1004016343.story
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Lady Sovereign Fined For Spitting At Australian Doorman
British rapper Lady Sovereign has spent the first night of her current Australia visit in a cell for her part in a drunken assault on a bouncer. The singer, whose real name is Louise Amanda Harman, was charged with assault on the weekend after spitting in the face of a doorman for the Beat, a popular gay nightclub in Brisbane's Fortitude Valley.
Police reported that the 5'1" rapper was hysterical as she was thrown out of the venue in the early hours of Saturday morning. She had been in the country just seven hours.
Harman faced the Brisbane Magistrates Court later on Saturday (Sept. 26) morning, where she pleaded guilty to assault and drunk and disorderly charges. She was fined $400 Australian ($345) and ordered to pay $200 Australian ($172) compensation to the bouncer.
Magistrate Brendan Butler warned that spitting had "serious health implications" but did not record a conviction.
Harman took to her Twitter account over the weekend to share her side of the story. "Brisbane police need to go catch some real criminals... what a waste," she wrote. "Spitting in someone's face is nasty, but how about a guy dressed up as a girl running at you in the toilets and punching you in the head?"
Just hours after the incident, Harman took the mic for her 4:40 p.m. slot on the opening date of the Parklife national festival tour.
source: http://www.billboard.com/#/news/lady-sovereign-fined-for-spitting-at-australian-1004016349.story
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Police reported that the 5'1" rapper was hysterical as she was thrown out of the venue in the early hours of Saturday morning. She had been in the country just seven hours.
Harman faced the Brisbane Magistrates Court later on Saturday (Sept. 26) morning, where she pleaded guilty to assault and drunk and disorderly charges. She was fined $400 Australian ($345) and ordered to pay $200 Australian ($172) compensation to the bouncer.
Magistrate Brendan Butler warned that spitting had "serious health implications" but did not record a conviction.
Harman took to her Twitter account over the weekend to share her side of the story. "Brisbane police need to go catch some real criminals... what a waste," she wrote. "Spitting in someone's face is nasty, but how about a guy dressed up as a girl running at you in the toilets and punching you in the head?"
Just hours after the incident, Harman took the mic for her 4:40 p.m. slot on the opening date of the Parklife national festival tour.
source: http://www.billboard.com/#/news/lady-sovereign-fined-for-spitting-at-australian-1004016349.story
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Lady GaGa Is Billboard's 'Rising Star' For Women In Music Event
Billboard announced today (Sept. 28) pop sensation Lady GaGa will be named its "Rising Star" at the 2009 Billboard Women In Music event, taking place on Oct. 2nd in New York City. The Billboard Rising Star Award rewards artists that have achieved a level of success and proven to have vast potential in the early stages of their career.
Lady GaGa is the undisputed break-out star of the year for many reasons, including the success of her debut album, "The Fame" (Streamline Records), which has spawned four Billboard Hot 100 hit singles like "Just Dance" and "Poker Face," both which reached No. 1 on the tally. "Just Dance" and "Poker Face" are also the Nos. 2 and 8 best-selling digital songs of all time, with 4.6 million and 4 million downloads, respectively.
GaGa recently became the third artist in the history of the Mainstream Top 40 Airplay chart to have three No. 1 singles from a debut album. "The Fame" is also the best-selling album from a debut artist for 2009, with 1,441,000 copies sold in the United States, according to Nielsen SoundScan. In addition to writing all the tracks on her album, Lady GaGa has previously written for Britney Spears, the Pussycat Dolls, and New Kids on the Block.
"Lady GaGa is one of those rare examples of a truly unique artist with mass appeal," says Bill Werde, Editorial Director of Billboard. "She has established herself as one of today's top songwriters, and the whole world is waiting to see what her next outrageous but brilliant move or style will be. It is that ongoing anticipation, combined with her success that makes her a rising star."
The Billboard Women in Music Event celebrates the most powerful and talented women in the music business, and is held in conjunction with the much-anticipated publication of Billboard's Women In Music Power Players List - recognizing the top female music executives who are leading the industry with their artistic and business vision.
Billboard will also honor Grammy Award-winning artist and pop culture icon Beyoncé with the coveted Billboard Woman of The Year Award at the event.
http://www.billboard.com/#/news/lady-gaga-is-billboard-s-rising-star-for-1004016385.story
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Lady GaGa is the undisputed break-out star of the year for many reasons, including the success of her debut album, "The Fame" (Streamline Records), which has spawned four Billboard Hot 100 hit singles like "Just Dance" and "Poker Face," both which reached No. 1 on the tally. "Just Dance" and "Poker Face" are also the Nos. 2 and 8 best-selling digital songs of all time, with 4.6 million and 4 million downloads, respectively.
GaGa recently became the third artist in the history of the Mainstream Top 40 Airplay chart to have three No. 1 singles from a debut album. "The Fame" is also the best-selling album from a debut artist for 2009, with 1,441,000 copies sold in the United States, according to Nielsen SoundScan. In addition to writing all the tracks on her album, Lady GaGa has previously written for Britney Spears, the Pussycat Dolls, and New Kids on the Block.
"Lady GaGa is one of those rare examples of a truly unique artist with mass appeal," says Bill Werde, Editorial Director of Billboard. "She has established herself as one of today's top songwriters, and the whole world is waiting to see what her next outrageous but brilliant move or style will be. It is that ongoing anticipation, combined with her success that makes her a rising star."
The Billboard Women in Music Event celebrates the most powerful and talented women in the music business, and is held in conjunction with the much-anticipated publication of Billboard's Women In Music Power Players List - recognizing the top female music executives who are leading the industry with their artistic and business vision.
Billboard will also honor Grammy Award-winning artist and pop culture icon Beyoncé with the coveted Billboard Woman of The Year Award at the event.
http://www.billboard.com/#/news/lady-gaga-is-billboard-s-rising-star-for-1004016385.story
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Nobody - Wonder Girls Live Performance
The Wonder Girls (Korean: 원더걸스) are a South Korean girl group. They are produced by singer-songwriter Park Jin-Young and are signed to his talent agency, JYP Entertainment. Each of the five original members were selected through auditions. Debuting in early 2007, they became popular in the fall of that year with the song "Tell Me."
They have scored three consecutive #1 hit singles: "Tell Me", "So Hot", and "Nobody".In 2008, they won two Daesangs ("Artist of the Year" Awards).
Nobody lyrics - Wonder Girls
You Know I still Love You Baby.
And it will never change.
I want nobody nobody But You, I want nobody nobody But You
Nandareun sarameun silheo nigaanimyeon silheo
I want nobody nobody nobody nobody
Nan silheunde wae nar mir eonaeryeogohani jakku naemareun deutji anhgo
Wae ireohge dareun namjaege narbonaeryeo hani eotteohge ireoni
Nar wihae geureoh dan geumar
Neonbujok hadaneun geumar
Ijen geuman haeneon nareur aljanha wae won hajido anhneun georgang yohae
I want nobody nobody But You I want nobody nobody But You
Nandareun sarameun silheo niga animyeon silheo
I want nobody nobody nobody nobody
I want nobody nobody But You I want nobody nobody But You
Nandareun sarameun silheo niga animyeon silheo
I want nobody nobody nobody nobody
Nan joheun de nan haengbok hande neoman isseu myeondwae deo baral geeopt neunde
Nugur mannaseo haengbok haran geoya nan neor tteonaseo haengbok harsueopseo
Nar wihae geureoh dan geumar
Neonbujok hadaneun geumar
Mari andoeneun mari ran georwae molla niga eopsi eotteohge haengbokhae
I want nobody nobody But You I want nobody nobody But You
Nandareun sarameun silheo niga animyeon silh eo
I want nobody nobody nobody nobody
I want nobody nobody But You I want nobody nobody But You
Nandareun sarameun silheo niga animyeon silheo
I want nobody nobody nobody nobody
I don't want nobody body body.I don't want nobody body
Naneun jeongmar niga animyeon niga animyeon silhdan maryaa~
I want nobody nobody But You I want nobody nobody But You
Nandareun sarameun silheo niga animyeon silheo
I want nobody nobody nobody nobody
I want nobody nobody But You I want nobody nobody But You
Nandareun sarameun silheo niga animyeon silheo
I want nobody nobody nobody nobody
(RAP)
Back to the days when we were so young and wild and free
Modeunge neomuna kkumman gatatdeon geuttaero doragago sipeunde
Waejakku nareur mireo naeryeohae
Why do you push me away. I don't want nobody nobody
Nobody nobody but you.
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They have scored three consecutive #1 hit singles: "Tell Me", "So Hot", and "Nobody".In 2008, they won two Daesangs ("Artist of the Year" Awards).
Nobody lyrics - Wonder Girls
You Know I still Love You Baby.
And it will never change.
I want nobody nobody But You, I want nobody nobody But You
Nandareun sarameun silheo nigaanimyeon silheo
I want nobody nobody nobody nobody
Nan silheunde wae nar mir eonaeryeogohani jakku naemareun deutji anhgo
Wae ireohge dareun namjaege narbonaeryeo hani eotteohge ireoni
Nar wihae geureoh dan geumar
Neonbujok hadaneun geumar
Ijen geuman haeneon nareur aljanha wae won hajido anhneun georgang yohae
I want nobody nobody But You I want nobody nobody But You
Nandareun sarameun silheo niga animyeon silheo
I want nobody nobody nobody nobody
I want nobody nobody But You I want nobody nobody But You
Nandareun sarameun silheo niga animyeon silheo
I want nobody nobody nobody nobody
Nan joheun de nan haengbok hande neoman isseu myeondwae deo baral geeopt neunde
Nugur mannaseo haengbok haran geoya nan neor tteonaseo haengbok harsueopseo
Nar wihae geureoh dan geumar
Neonbujok hadaneun geumar
Mari andoeneun mari ran georwae molla niga eopsi eotteohge haengbokhae
I want nobody nobody But You I want nobody nobody But You
Nandareun sarameun silheo niga animyeon silh eo
I want nobody nobody nobody nobody
I want nobody nobody But You I want nobody nobody But You
Nandareun sarameun silheo niga animyeon silheo
I want nobody nobody nobody nobody
I don't want nobody body body.I don't want nobody body
Naneun jeongmar niga animyeon niga animyeon silhdan maryaa~
I want nobody nobody But You I want nobody nobody But You
Nandareun sarameun silheo niga animyeon silheo
I want nobody nobody nobody nobody
I want nobody nobody But You I want nobody nobody But You
Nandareun sarameun silheo niga animyeon silheo
I want nobody nobody nobody nobody
(RAP)
Back to the days when we were so young and wild and free
Modeunge neomuna kkumman gatatdeon geuttaero doragago sipeunde
Waejakku nareur mireo naeryeohae
Why do you push me away. I don't want nobody nobody
Nobody nobody but you.
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Colbie Caillat - Don't Cha Live Performance
Caillat has a second album, entitled Breakthrough, released on August 21, 2009 in Germany, August 24 in the rest of Europe and a day after that in the US. The new CD will include world-renowned guitarist David Becker on two tracks. Becker has worked with the singer's father Ken on several of his own recordings. The first single from Breakthrough, "Fallin' for You", was released on June 29, 2009. On August 4, 2009 the album was made available to pre-order through iTunes with the bonus song "Hold Your Head High". This configuration also comes with a reggae version of "Begin Again". During "Breakthrough" Colbie had a writer's block so she went to her friends, Kara Dioguardi, Jason Reeves and they went to Hawaii for three weeks. They had a beach house and wrote songs about love and breakups. Caillat also has plans to release two Christmas songs for the 2009 holiday season, "Have Yourself a Merry Little Christmas" and "Merry Christmas, Baby." She and collaborator Stacy Blue, who co-wrote Caillat's 2007 holiday single "Misteltoe," are also planning to write some new Christmas songs. Veronica comics released an issue with her as guest star. source: wikipedia
Don't Cha lyrics - Colbie Caillat
I know you like me
(I know you like me)
I know you do
(I know you do)
That's why whenever I come around
She's all over you
And I know you want it
(I know you want it)
It's easy to see
(It's easy to see)
And in the back of your mind
I know you should be ohh with me
Don't cha wish your girlfriend was hot like me?
Don't cha wish your girlfriend was a freak like me?
Don't cha?
Don't cha?
Don't cha wish your girlfriend was raw like me?
Don't cha?
Don't cha wish your girlfriend was fun like me?
Don't cha?
(Fight the feeling)
Fight the feeling
(Leave it alone)
Leave it alone
'Cause if it ain't love
It just ain't enough to leave a happy home
Let's keep it friendly
(Let's keep it friendly)
You have to play fair
(You have to play fair)
See I don't care
But I know she ain't gonna wanna share
Don't cha wish your girlfriend was hot like me?
Don't cha wish your girlfriend was a freak like me?
(Like me?)
Don't cha? Don't cha, baby?
Don't cha?
Don't cha wish your girlfriend was raw like me?
(Raw)
Don't cha wish your girlfriend was fun like me?
(Big fun)
Don't cha?
(Ok, I see how it's goin 'down)
Don't cha?
(Seems like shorty wanna little ménage a pop off or somethin ', let's go)
Well let me get straight to it
Every broad wan watch a ***** when I come through it
It's the God almighty, lookin 'all brand new
If shorty wanna jump in my ass then Vanjewish
Lookin 'at me all like she really wanna do it
Tryna put it on me till my b **** black an 'blueish
Ya wanna play wit a playa girl then play on
Strip out the Channel and leave the lingerie on
Watch me and I'mma watch you at the same time
Lookin 'at ya wan break my back
You the very reason why I keep a pack of the Magnum
An 'wit the wagon hit chu in the back of the Magnum
For the record, don't think it was somethin 'you did
Shorty ya all on me 'cuz it's hard to resist the kid
I got a idea that's dope for y'all
As y'all could get so I could hit the both of y'all
Don't worry about it shorty
Don't cha wish your girlfriend was hot like me?
Don't cha wish your girlfriend was a freak like me?
(Like me?)
Don't cha? Don't cha, baby?
Don't cha?
(Raw)
Don't cha wish your girlfriend was raw like me?
Don't cha wish your girlfriend was fun like me?
(Big fun)
Don't cha?
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Don't Cha lyrics - Colbie Caillat
I know you like me
(I know you like me)
I know you do
(I know you do)
That's why whenever I come around
She's all over you
And I know you want it
(I know you want it)
It's easy to see
(It's easy to see)
And in the back of your mind
I know you should be ohh with me
Don't cha wish your girlfriend was hot like me?
Don't cha wish your girlfriend was a freak like me?
Don't cha?
Don't cha?
Don't cha wish your girlfriend was raw like me?
Don't cha?
Don't cha wish your girlfriend was fun like me?
Don't cha?
(Fight the feeling)
Fight the feeling
(Leave it alone)
Leave it alone
'Cause if it ain't love
It just ain't enough to leave a happy home
Let's keep it friendly
(Let's keep it friendly)
You have to play fair
(You have to play fair)
See I don't care
But I know she ain't gonna wanna share
Don't cha wish your girlfriend was hot like me?
Don't cha wish your girlfriend was a freak like me?
(Like me?)
Don't cha? Don't cha, baby?
Don't cha?
Don't cha wish your girlfriend was raw like me?
(Raw)
Don't cha wish your girlfriend was fun like me?
(Big fun)
Don't cha?
(Ok, I see how it's goin 'down)
Don't cha?
(Seems like shorty wanna little ménage a pop off or somethin ', let's go)
Well let me get straight to it
Every broad wan watch a ***** when I come through it
It's the God almighty, lookin 'all brand new
If shorty wanna jump in my ass then Vanjewish
Lookin 'at me all like she really wanna do it
Tryna put it on me till my b **** black an 'blueish
Ya wanna play wit a playa girl then play on
Strip out the Channel and leave the lingerie on
Watch me and I'mma watch you at the same time
Lookin 'at ya wan break my back
You the very reason why I keep a pack of the Magnum
An 'wit the wagon hit chu in the back of the Magnum
For the record, don't think it was somethin 'you did
Shorty ya all on me 'cuz it's hard to resist the kid
I got a idea that's dope for y'all
As y'all could get so I could hit the both of y'all
Don't worry about it shorty
Don't cha wish your girlfriend was hot like me?
Don't cha wish your girlfriend was a freak like me?
(Like me?)
Don't cha? Don't cha, baby?
Don't cha?
(Raw)
Don't cha wish your girlfriend was raw like me?
Don't cha wish your girlfriend was fun like me?
(Big fun)
Don't cha?
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Kings of Leon - Use Somebody Live Music Video
Michael Jared Followill (born November 20, 1986), also known as Jared Followill, is a member of American rock band Kings of Leon. He is the band's bass guitarist and pianist. He is the brother to fellow band members, lead singer Caleb Followill, drummer Nathan Followill, and cousin to lead guitarist Matthew Followill.
Jared was born to Betty-Ann and Ivan Followill, a Pentecostal evangelist minister, who traveled around the South. He and his brothers, fellow band members (Nathan Followill and Caleb Followill) grew up travelling with their father, often sleeping in churches, their car or friend's houses, and their mother Betty-Ann taught them when they were not in school. After several years of preaching around the south, their father was asked to leave the church and Ivan and Betty-Ann divorced. He was asked to join the band when he was 15 years old although he had never played the bass prior to joining the band and originally did not want to be the bassist. He taught himself within a month before the recording of Youth and Young Manhood.
Jared was just 16 when the Kings released their first studio album, Youth and Young Manhood, in 2003.source: wikipedia
Use Somebody lyrics Kings of Leons
I've been roaming around
i was looking down at all i see
painting faces, building places i can't reach
you know that i could Use Somebody
you know that i could use somebody
someone like you
and all you know
and how you speak
countless lovers undercover of the street
you know that i could use somebody
you know that i could use somebody
someone like you
off in the night,
why'd you live it up?
-i'm off to sleep
waging war
to shake the cold(?)
i hope it's going to make you notice
i hope it's going to make you notice
someone like me
someone like me
someone like me
somebody
(i'm waiting)
someone like you
somebody
someone like you
somebody
someone like you
somebody
i've been running around
i was looking down at all i see
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Jared was born to Betty-Ann and Ivan Followill, a Pentecostal evangelist minister, who traveled around the South. He and his brothers, fellow band members (Nathan Followill and Caleb Followill) grew up travelling with their father, often sleeping in churches, their car or friend's houses, and their mother Betty-Ann taught them when they were not in school. After several years of preaching around the south, their father was asked to leave the church and Ivan and Betty-Ann divorced. He was asked to join the band when he was 15 years old although he had never played the bass prior to joining the band and originally did not want to be the bassist. He taught himself within a month before the recording of Youth and Young Manhood.
Jared was just 16 when the Kings released their first studio album, Youth and Young Manhood, in 2003.source: wikipedia
Use Somebody lyrics Kings of Leons
I've been roaming around
i was looking down at all i see
painting faces, building places i can't reach
you know that i could Use Somebody
you know that i could use somebody
someone like you
and all you know
and how you speak
countless lovers undercover of the street
you know that i could use somebody
you know that i could use somebody
someone like you
off in the night,
why'd you live it up?
-i'm off to sleep
waging war
to shake the cold(?)
i hope it's going to make you notice
i hope it's going to make you notice
someone like me
someone like me
someone like me
somebody
(i'm waiting)
someone like you
somebody
someone like you
somebody
someone like you
somebody
i've been running around
i was looking down at all i see
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The Black Eyed Peas - I Got A Feeling Official Music Video
The Black Eyed Peas (BEP) is an American hip hop musical group based in Los Angeles. The group is composed of will.i.am, apl.de.ap, Taboo, and Fergie. Since their album Elephunk in 2003, the group's hip hop/dance-oriented style has sold an estimated 20 million albums worldwide and 13 million singles. The group is one of only eleven artists to have ever held the number 1 and 2 spots on the Billboard Hot 100 at the same time. Their singles Boom Boom Pow and I Gotta Feeling topped the US charts for 25 consecutive weeks, more than any other artist in history. Before Black Eyed Peas, Will.I.Am and Apl.De.Ap were in a group called The Atban Klann signed to Eazy E's Ruthless Records.
The group's fifth studio album, The E.N.D. ("The Energy Never Dies"), was released on June 9, 2009.[6] "Boom Boom Pow" was released on February 22 online and March 30 on iTunes. It became the group's first song to reach #1, where it remained for 12 weeks, on the Billboard Hot 100, peaking at #1 in Australia, in Canada, and in the UK. The album has a more electro-hop beat rather than the usual hip hop/R&B feeling of their previous albums. The album entered the number one position on the Billboard 200 for the publication's week ending June 27, 2009, selling 304,000 copies during the week ending June 14, 2009.
The first promo single, "Imma Be", was released for download on iTunes on May 19 in the US, entering the Billboard Hot 100 at number 50 on the week ending June 6, 2009.
Group front man will.i.am told Billboard that The E.N.D. stands for "The Energy Never Dies", which describes his model for a project that will be living and frequently updated throughout its designated cycle. "It's a diary ... of music that at any given time, depending on the inspiration, you can add to it," the artist/producer/songwriter explains. "I'm trying to break away from the concept of an album. What is an album when you put 12 songs on iTunes and people can pick at it like scabs? That's not an album. There is no album anymore." He describes the music as "a lot of dance stuff, real melodic, electronic, soulful. We call it, like, electric static funk, something like that." source: wikipedia
I Got A Feeling lyrics The Black Eyed Peas
I gotta feeling that tonight’s gonna be a good night
that tonight’s gonna be a good night
that tonight’s gonna be a good good night ooh hoo (x4)
Tonight’s the night night
Let’s live it up
I got my money
Let’s spend it up
go out and smash it
like oh my god
Jump off that sofa
Let’s get get crunk
I know that we’ll have a ball
if we get down
and go out
and just loose it all
I feel stressed out
I wanna let it go
Lets go way out spaced out
and loosing all control
Fill up my cup
Mazeltov
Look at her dancing
just take it off
Lets paint the town
We’ll shut it down
Let’s burn the roof
and then we’ll do it again
Lets Do it and do it and do it 1
and do it and do it 2
and do it and do it and live it 3
up and do it, do it
4
do it, do it, and do it 5
and do it and do it and do it 6
and do it and do it and 7
i gotta feeling that tonight’s gonna be a good night
that tonight’s gonna be a good night
that tonight’s gonna be a good good night (x2)
Tonight’s the night
let’s live it up
I got my money
Lets spend it up
Go out and smash it
Like Oh My God (oh my god)
Jump off that sofa
Lets kick it up
Fill up my cup (Drink)
Mazeltov (naheim)
Look at her dancing (Move it Move it)
Just take it off
Lets paint the town
We’ll shut it down (shut it down)
Lets burn the roof
and then we’ll do it again
1
2
3
4
5
6
7
Here we come
here we go
we gotta rock rock
rock rock rock
Easy come
easy go
now we on top
top top top top
Feel the shot
body rock
Rock it don’t stop stop
stop stop
Round and round
up and down
around the clock clock clock clock
Monday, Tuesday, Wednesday and Thursday
Friday, Saturday, Saturday and Sunday
we keep keep keep keep going up
we know what we say say
party everyday
p-p-p-party everyday
got a feeling (ooooooo ooooooo)
that tonights gonna be a good night
that tonights gonna be a good night
that tonights gonna be a good good night
(oooooooooooo ooooooooooo)
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The group's fifth studio album, The E.N.D. ("The Energy Never Dies"), was released on June 9, 2009.[6] "Boom Boom Pow" was released on February 22 online and March 30 on iTunes. It became the group's first song to reach #1, where it remained for 12 weeks, on the Billboard Hot 100, peaking at #1 in Australia, in Canada, and in the UK. The album has a more electro-hop beat rather than the usual hip hop/R&B feeling of their previous albums. The album entered the number one position on the Billboard 200 for the publication's week ending June 27, 2009, selling 304,000 copies during the week ending June 14, 2009.
The first promo single, "Imma Be", was released for download on iTunes on May 19 in the US, entering the Billboard Hot 100 at number 50 on the week ending June 6, 2009.
Group front man will.i.am told Billboard that The E.N.D. stands for "The Energy Never Dies", which describes his model for a project that will be living and frequently updated throughout its designated cycle. "It's a diary ... of music that at any given time, depending on the inspiration, you can add to it," the artist/producer/songwriter explains. "I'm trying to break away from the concept of an album. What is an album when you put 12 songs on iTunes and people can pick at it like scabs? That's not an album. There is no album anymore." He describes the music as "a lot of dance stuff, real melodic, electronic, soulful. We call it, like, electric static funk, something like that." source: wikipedia
I Got A Feeling lyrics The Black Eyed Peas
I gotta feeling that tonight’s gonna be a good night
that tonight’s gonna be a good night
that tonight’s gonna be a good good night ooh hoo (x4)
Tonight’s the night night
Let’s live it up
I got my money
Let’s spend it up
go out and smash it
like oh my god
Jump off that sofa
Let’s get get crunk
I know that we’ll have a ball
if we get down
and go out
and just loose it all
I feel stressed out
I wanna let it go
Lets go way out spaced out
and loosing all control
Fill up my cup
Mazeltov
Look at her dancing
just take it off
Lets paint the town
We’ll shut it down
Let’s burn the roof
and then we’ll do it again
Lets Do it and do it and do it 1
and do it and do it 2
and do it and do it and live it 3
up and do it, do it
4
do it, do it, and do it 5
and do it and do it and do it 6
and do it and do it and 7
i gotta feeling that tonight’s gonna be a good night
that tonight’s gonna be a good night
that tonight’s gonna be a good good night (x2)
Tonight’s the night
let’s live it up
I got my money
Lets spend it up
Go out and smash it
Like Oh My God (oh my god)
Jump off that sofa
Lets kick it up
Fill up my cup (Drink)
Mazeltov (naheim)
Look at her dancing (Move it Move it)
Just take it off
Lets paint the town
We’ll shut it down (shut it down)
Lets burn the roof
and then we’ll do it again
1
2
3
4
5
6
7
Here we come
here we go
we gotta rock rock
rock rock rock
Easy come
easy go
now we on top
top top top top
Feel the shot
body rock
Rock it don’t stop stop
stop stop
Round and round
up and down
around the clock clock clock clock
Monday, Tuesday, Wednesday and Thursday
Friday, Saturday, Saturday and Sunday
we keep keep keep keep going up
we know what we say say
party everyday
p-p-p-party everyday
got a feeling (ooooooo ooooooo)
that tonights gonna be a good night
that tonights gonna be a good night
that tonights gonna be a good good night
(oooooooooooo ooooooooooo)
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Michael Jackson tapes reveal his soul, former adviser says
LOS ANGELES, California (CNN) -- Michael Jackson feared his father so much he would faint or vomit sometimes when his father entered the room -- even when the pop singer was an adult, according to a book written by a former Jackson confidant.
"The Michael Jackson Tapes" includes Jackson talking about his fear of growing old, his relationship with children, his friendships with Madonna and Brooke Shields, and his remarkable shyness around people that made his surround himself with mannequins.
Jackson opened up to Rabbi Shmuley Boteach for 30 hours of interviews, which were taped nine years ago and intended for a book Jackson wanted written, Boteach said.
"He was trying to reclaim his life," Boteach said Friday in an NBC "Today Show" interview.
Jackson, who died on June 25 of what the coroner found to be a deadly combination of drugs, "lost the will to live, I think he was just going through the motions of life toward the end," Boteach told NBC.
CNN has not independently confirmed Jackson's quotes in the book, but Boteach was known to be a spiritual adviser to Jackson for several years beginning about 1999.
Ken Sunshine, spokesman for the family, including the singer's father, Joe, issued a statement on the book. "We are not going to dignify this with a comment," he said.
The book was not published during Jackson's lifetime because of the pop star's child molestation trial, which ended with an acquittal in 2005, the author said. The author said Jackson's arrest ended any interest in a book about him.
"I don't want to grow old," Jackson is quoted as saying in one interview with Boteach.
"When the body breaks down and you start to wrinkle, I think it's so bad," Jackson said.
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Jackson talked to Boteach about why he was drawn to children, especially those who were sick.
"I love them. I love them," he said.
Helping children enjoy their childhood is his mission, Jackson said.
"I feel that this is something really, really in my heart that I am supposed to do, and I feel so loved by giving my love, and I know that's what they need," he said.
Jackson said that while adults "appreciate me artistically as a singer and a songwriter and a dancer and a performer," children "just want to have some fun and to give love and have love and they just want to be loved and held."
Boteach, in an interview about two years before Jackson's November 2003 arrest, asked Jackson about Gavin Arvizo, the young cancer patient who would later become his main accuser.
"He's special," Jackson said.
"Do you feel that when you speak to people like Gavin, part of the pain goes away for them?" Boteach asked.
"Absolutely," Jackson said. "Because every time I talk to him he is in better spirits. When I spoke to him last night he said, 'I need you. When are you coming home?' I said, 'I don't know.' He said, 'I need you, Michael.' Then he calls me 'Dad.'"
Michael Jackson's taped statements about his father's treatment of him as a child echoed what he has said previously.
"He was rough, the way he would beat you, you know, was hard," Jackson said. "He would make you strip nude first. He would oil you down. It would be a whole ritual. He would oil you down so when the flip of an ironing cord hit you, you know, and, it was just like me dying, and you had whips all over your face, your back, everywhere. And I always hear my mother like, 'No, Joe, you're gonna kill him. You're gonna kill him. No.' And I would just give up, like there was nothing I could do. And I hated him for it. Hated him."
Joe Jackson has denied physically abusing his son. "Now, Michael was never beaten by me, I've never beaten at all," he told CNN's Larry King in July. He did suggest he used spankings for disciplining his children.
Another Michael Jackson quote from the book alleged emotional abuse by Joe Jackson:
"God bless my father because he did some wonderful things and he was brilliant, he was a genius, but one day he said, 'If you guys ever stop singing I will drop you like a hot potato.' It hurt me. You would think he would think, 'These kids have a heart and feelings.' Wouldn't he think that would hurt us? If I said something like that to Prince and Paris, that would hurt. You don't say something like that to children and I never forgot it. It affects my relationship with him today."
Jackson told Boteach he was still "scared of my father to this day."
"My father walked in the room -- and God knows I am telling the truth -- I have fainted in his presence many times. I have fainted once to be honest. I have thrown up in his presence because when he comes in the room and this aura comes and my stomach starts hurting and I know I am in trouble. He is so different now. Time and age has changed him and he sees his grandchildren and he wants to be a better father. It is almost like the ship has sailed its course, and it is so hard for me to accept this other guy that is not the guy I was raised with. I just wished he had learned that earlier."
In the excerpts provided to CNN by the book's publisher, there were no quotes from Jackson discussing his drug use, but Boteach does write about what he saw during the several years he was Jackson's spiritual adviser, starting in 1999.
While Boteach said he never personally saw Jackson use drugs, he did suspect it. "In the time that I knew him, he always seemed intent on me having a positive view of him and nothing untoward was ever done in my presence," he wrote.
While their close relationship ended around the time of the molestation charges, Boteach said Jackson's parents reached out to him later for help in convincing him to enter drug rehab.
"Perhaps I could inspire Michael to make that decision, and his parents thought I could at least help," Boteach said. "But I knew they were wrong. Michael had long since ceased taking my counsel. He found my advice too demanding. I was an irritant and was treated as such."
He said he told Joe and Katherine Jackson that "it was imperative for them to save their son's life by becoming available parents in his greatest hour of need."
Sometimes those closest to Jackson were not people -- but mannequins, the book said. Jackson said he was so shy at times he surrounded himself with dummies.
"Because I felt I needed people, someone, and I didn't have," he said. "I was too shy to be around real people."
Boteach, in the NBC interview Friday, said it made his skin crawl to hear that.
"His celebrity had created a degree of isolation where he could not simply feel comfortable around other people," Boteach said. "He thought that everybody wanted something from him. He felt that he was trapped in this cocoon of fame and that there was some exploitative relationship with virtually everyone that he met."
The book does offer insight into Jackson's dating of celebrity women, including actress Brooke Shields.
"That was one of the loves of my life," Jackson said. "I just wished she loved me as much as I loved her, you know."
He told Boteach one problem he had with women was their jealousy of his fame.
"They admire you and know you're wonderful and great, but just they're jealous because they wish they were in your place, with they were in your shoes. And 'M' is one of them -- Madonna. Hate to say that on tape."
CNN asked Madonna's publicist Liz Rosenberg for a response:
"Madonna was very fond of Michael Jackson (as she clearly expressed in her tribute to him at the VMA's) and I doubt anything in the book will change her mind," Rosenberg said.
source: http://edition.cnn.com/2009/SHOWBIZ/Music/09/25/michael.jackson.tapes/index.html?iref=mpstoryview
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Fire Burning Sean Kingston Official Music Video
"Fire Burning" is a dance pop reggae-influenced song by pop musician Sean Kingston. It is released as the lead single from his second studio album Tomorrow. The song displaysa little more synth-dance sound than his previous recordings, with influences of dance music and electropop. Unlike many of his previous singles, which are all produced by J.R. Rotem, the song is produced by RedOne. The song was used for the opening number of the Miss Universe 2009 live at the Atlantis Paradise Island, Nassau, Bahamas.
"Fire Burning" is an uptempo electropop song with a modern dance beat. The composition blend the infectious hook with heavy synthesizers and a variety of percussive sounds. The song is set in common time with a moderate tempo of 120 beats per minute and is written in the key of D major. It begins with an energetic clarion call to the dance floor followed by modern dance beat. The chords follow in this order, G---Fm---A---Bm---E---F♯.
Kingston had released the song on his MySpace webpage to promote his song. The song was released to radio stations and for digital download April 24, 2009. To date the song has been played more than 13 million times on his MySpace page. The song has sold over 1 million downloads. Sean Kingston performed the song for the first time live at the Teen Choice Awards 2009.
Video was premiered at MTV on June 15, 2009. Rick Ross makes a cameo appearance in the video. The video was directed by Gil Green. The video also shows Kingston's Audi R8 in the video.source:wikipedia
Fire Burning lyrics Sean Kingston
Songwriters: Anderson, Kisean Paul; Hajji, Bilal; Khayat, Nadir;
Somebody call 911!
Shawty fire burning on the dance floor, whoa
(Fire burning, fire burning)
What a gwaan!
Kingston, let's go, hey!
RedOne, hey, hey
Shawty got that super thing
Hotter than the sun in the south in Spain
Got me soon as I walked through the door
My pocket started tickling
The way she drop it low, that thang
Got me wan' spend my money on her, her
She get it, pop it, lock it, drop it, that birthday cake
Got a candle, need to blow that crazy flame away
Now take my red, black card and my jewelry
Shawty is cool like the fire, cool like fire
Somebody call 911!
Shawty fire burning on the dance floor, whoa
I gotta cool her down
She wan' bring the roof to ground
On the dance floor, whoa
She's fire burning, fire burning on the dance floor
That little shawty's fire burning on the dance floor
She's fire burning, fire burning on the dance floor
That little shawty's fire burning on the dance floor
(Fire burning, fire burning)
That body is a masterpiece
The order is one in every hundred years
But ain't no doubt I'm taking it home, home
[Incomprehensible]
Little mama game is about to change
She'll be on covers over the world
She get it, pop it, lock it, drop it, that birthday cake
Got a candle, need to blow that crazy flame away
Now take my red, black card and my jewelry
Shawty is cool like the fire, cool like fire
Somebody call 911!
Shawty fire burning on the dance floor, whoa
I gotta cool her down
She wan' bring the roof to ground
On the dance floor, whoa
She's fire burning, fire burning on the dance floor
That little shawty's fire burning on the dance floor
She's fire burning, fire burning on the dance floor
That little shawty's fire burning on the dance floor
She got that fire in the dance
That'll make them fellas run around, hey!
No exit from the dance floor
So them boys wan' more, hey!
She got that fire in the dance
That'll make them fellas run around
(Madem, get out my way, everybody, sing it now, hey!)
No exit from the dance floor
So them boys wan' more
(What a gwaan? Let's go! Madem, let's go, hey!)
She get it, pop it, lock it, drop it, that birthday cake
Got a candle, need to blow that crazy flame away
Now take my red, black card and my jewelry
Shawty is cool like the fire, cool like fire
Somebody call 911!
Shawty fire burning on the dance floor, whoa
I gotta cool her down
She wan' bring the roof to ground
On the dance floor, whoa
She's fire burning, fire burning on the dance floor
That little shawty's fire burning on the dance floor
She's fire burning, fire burning on the dance floor
That little shawty's fire burning on the dance floor
Somebody call 911!
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"Fire Burning" is an uptempo electropop song with a modern dance beat. The composition blend the infectious hook with heavy synthesizers and a variety of percussive sounds. The song is set in common time with a moderate tempo of 120 beats per minute and is written in the key of D major. It begins with an energetic clarion call to the dance floor followed by modern dance beat. The chords follow in this order, G---Fm---A---Bm---E---F♯.
Kingston had released the song on his MySpace webpage to promote his song. The song was released to radio stations and for digital download April 24, 2009. To date the song has been played more than 13 million times on his MySpace page. The song has sold over 1 million downloads. Sean Kingston performed the song for the first time live at the Teen Choice Awards 2009.
Video was premiered at MTV on June 15, 2009. Rick Ross makes a cameo appearance in the video. The video was directed by Gil Green. The video also shows Kingston's Audi R8 in the video.source:wikipedia
Fire Burning lyrics Sean Kingston
Songwriters: Anderson, Kisean Paul; Hajji, Bilal; Khayat, Nadir;
Somebody call 911!
Shawty fire burning on the dance floor, whoa
(Fire burning, fire burning)
What a gwaan!
Kingston, let's go, hey!
RedOne, hey, hey
Shawty got that super thing
Hotter than the sun in the south in Spain
Got me soon as I walked through the door
My pocket started tickling
The way she drop it low, that thang
Got me wan' spend my money on her, her
She get it, pop it, lock it, drop it, that birthday cake
Got a candle, need to blow that crazy flame away
Now take my red, black card and my jewelry
Shawty is cool like the fire, cool like fire
Somebody call 911!
Shawty fire burning on the dance floor, whoa
I gotta cool her down
She wan' bring the roof to ground
On the dance floor, whoa
She's fire burning, fire burning on the dance floor
That little shawty's fire burning on the dance floor
She's fire burning, fire burning on the dance floor
That little shawty's fire burning on the dance floor
(Fire burning, fire burning)
That body is a masterpiece
The order is one in every hundred years
But ain't no doubt I'm taking it home, home
[Incomprehensible]
Little mama game is about to change
She'll be on covers over the world
She get it, pop it, lock it, drop it, that birthday cake
Got a candle, need to blow that crazy flame away
Now take my red, black card and my jewelry
Shawty is cool like the fire, cool like fire
Somebody call 911!
Shawty fire burning on the dance floor, whoa
I gotta cool her down
She wan' bring the roof to ground
On the dance floor, whoa
She's fire burning, fire burning on the dance floor
That little shawty's fire burning on the dance floor
She's fire burning, fire burning on the dance floor
That little shawty's fire burning on the dance floor
She got that fire in the dance
That'll make them fellas run around, hey!
No exit from the dance floor
So them boys wan' more, hey!
She got that fire in the dance
That'll make them fellas run around
(Madem, get out my way, everybody, sing it now, hey!)
No exit from the dance floor
So them boys wan' more
(What a gwaan? Let's go! Madem, let's go, hey!)
She get it, pop it, lock it, drop it, that birthday cake
Got a candle, need to blow that crazy flame away
Now take my red, black card and my jewelry
Shawty is cool like the fire, cool like fire
Somebody call 911!
Shawty fire burning on the dance floor, whoa
I gotta cool her down
She wan' bring the roof to ground
On the dance floor, whoa
She's fire burning, fire burning on the dance floor
That little shawty's fire burning on the dance floor
She's fire burning, fire burning on the dance floor
That little shawty's fire burning on the dance floor
Somebody call 911!
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Miley Cyrus - The Climb - Official Music Video
"The Climb" is a song performed by American recording artist Miley Cyrus. The song was written by Jessi Alexander and Jon Mabe, produced by John Shanks. It was released as the main single from the soundtrack to Hannah Montana: The Movie; "Let's Do This", "Let's Get Crazy" and "Back to Tennessee" were previously released for airplay, but were not released physically or digitally. The song was written for Hannah Montana: The Movie, a spin-off of the television series to portray the struggles of the plot. The down-tempo song, "The Climb", has country influences and lyrically speaks about not giving up, no matter the circumstances of life.
The song has been critically appreciated with reviewers complimenting Cyrus's natural husky twang and native inflection associated with it. The song achieved commercial success by reaching the top ten in charts for the United States, Canada, Australia and Norway. In the United States, Australia and Norway, "The Climb" became Cyrus's best charting single to date. It scored the highest-charting U.S. single for any current Disney Channel Star and spent over eight weeks upon the top ten. It was certified double platinum by the RIAA in August 2009.
The corresponding music video had Cyrus performing the song while climbing a mountain as well as involving scenes from Hannah Montana: The Movie. "The Climb" was performed live in a number of occasions including: Kids' Inaugural: "We Are the Future", Academy of Country Music Awards, The Tonight Show with Jay Leno, American Idol, Good Morning America and more. In 2009, the song received a MTV Movie Awards and Teen Choice Awards nomination in the Best Song from a Movie category and Choice Music: Single; ultimately "The Climb" won both.
The Climb lyrics - Miley Cyrus
I can almost see it,
That dream I'm dreamin'
But theres a voice inside my head sayin'
You'll never reach it
Every step I'm taking
Every move I make feels
Lost with no direction
My faith is shaking
But I gotta keep tryin'
Gotta keep my head held high
Theres always gonna be another mountain
I'm always gonna wanna make it move
Always gonna be a up-hill battle
Sometimes i'm gonna have to lose
Ain't about how fast I get there
Ain't about whats waiting on the other side
Its the climb
The struggles I'm facing
The chances I'm taking
Sometimes might knock me down
But, No, I'm not breaking
I may not know it
But these are the moments that
I'm gonna remember Most, yeah
Just gotta keep goin'
And, I, I got to be Strong
Just Keep pushing, on
'Cause theres always gonna be another mountain
I'm always gonna wanna make it move
Always gonna be a up-hill battle
Sometimes i'm gonna have to lose
Ain't about how fast I get there
Ain't about whats waiting on the other side
Its The Climb
Yeah
Theres always gonna be another mountain
I'm always gonna wanna make it move
Always gonna be a up-hill battle
somebody's gonna have to lose
Ain't about how fast I get there
Ain't about whats waiting on the other side
Its the climb
Keep on movin'
Keep climbin'
Keep the faith baby
Its all about
Its all about
The climb
Keep the faith, keep the faith woah View Here...
The song has been critically appreciated with reviewers complimenting Cyrus's natural husky twang and native inflection associated with it. The song achieved commercial success by reaching the top ten in charts for the United States, Canada, Australia and Norway. In the United States, Australia and Norway, "The Climb" became Cyrus's best charting single to date. It scored the highest-charting U.S. single for any current Disney Channel Star and spent over eight weeks upon the top ten. It was certified double platinum by the RIAA in August 2009.
The corresponding music video had Cyrus performing the song while climbing a mountain as well as involving scenes from Hannah Montana: The Movie. "The Climb" was performed live in a number of occasions including: Kids' Inaugural: "We Are the Future", Academy of Country Music Awards, The Tonight Show with Jay Leno, American Idol, Good Morning America and more. In 2009, the song received a MTV Movie Awards and Teen Choice Awards nomination in the Best Song from a Movie category and Choice Music: Single; ultimately "The Climb" won both.
The Climb lyrics - Miley Cyrus
I can almost see it,
That dream I'm dreamin'
But theres a voice inside my head sayin'
You'll never reach it
Every step I'm taking
Every move I make feels
Lost with no direction
My faith is shaking
But I gotta keep tryin'
Gotta keep my head held high
Theres always gonna be another mountain
I'm always gonna wanna make it move
Always gonna be a up-hill battle
Sometimes i'm gonna have to lose
Ain't about how fast I get there
Ain't about whats waiting on the other side
Its the climb
The struggles I'm facing
The chances I'm taking
Sometimes might knock me down
But, No, I'm not breaking
I may not know it
But these are the moments that
I'm gonna remember Most, yeah
Just gotta keep goin'
And, I, I got to be Strong
Just Keep pushing, on
'Cause theres always gonna be another mountain
I'm always gonna wanna make it move
Always gonna be a up-hill battle
Sometimes i'm gonna have to lose
Ain't about how fast I get there
Ain't about whats waiting on the other side
Its The Climb
Yeah
Theres always gonna be another mountain
I'm always gonna wanna make it move
Always gonna be a up-hill battle
somebody's gonna have to lose
Ain't about how fast I get there
Ain't about whats waiting on the other side
Its the climb
Keep on movin'
Keep climbin'
Keep the faith baby
Its all about
Its all about
The climb
Keep the faith, keep the faith woah View Here...
7-Things Miley Cyrus Official Music Video
This is a sound sample from a commercial recording. Its inclusion here is claimed as fair use because:
It illustrates an educational article specifically about the song from which this sample was taken. The section of music used is discussed in the article in relation to the song's lyrics, musical and vocal style, and also contains part of the song's chorus.
It is a sample of no more than 30 seconds from a much longer recording, and could not be used as a substitute for the original commercial recording or to recreate the original recording.
It is of a lower quality than the original recording.
It is not replaceable with an uncopyrighted or freely copyrighted sample of comparable educational value.
It is believed that this sample will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original recording. source: wikipedia
7 Things lyrics - Miley Cyrus
I probably shouldn’t say this
But at times I get so scared
When I think about the previous
Relationship we shared
It was awesome but we lost it
It’s not possible for me, not to care
And now we’re standing in the rain
But nothing’s ever gonna change until you hear,
My dear
The 7 things I hate about you
The 7 things I hate about you, oh you
You’re vain, your games, you’re insecure
You love me, you like her
You make me laugh, you make me cry
I don’t know which side to buy
Your friends, they’re jerks
When you act like them, just know it hurts
I wanna be with the one I know
And the 7th thing I hate the most that you do
You make me love you
It’s awkward and it’s silent
As I wait for you to say
What I need to hear now
Your sincere apology
When you mean it, I’ll believe it
If you text it, I’ll delete it
Let’s be clear
Oh, I’m not coming back
You’re taking 7 steps here
The 7 things I hate about you
You’re vain, your games, you’re insecure
You love me, you like her
You make me laugh, you make me cry
I don’t know which side to buy
Your friends, they’re jerks
When you act like them, just know it hurts
I wanna be with the one I know
And the 7th thing I hate the most that you do
You make me love you
And compared to all the great things
That would take too long to write
I probably should mention
The 7 that I like
The 7 things I like about you
Your hair, your eyes, your old Levi’s
When we kiss I’m hypnotized
You make me laugh, you make me cry
But I guess that’s both I’ll have to buy
Your hands in mine
When we’re intertwined, everything’s alright
I wanna be with the one I know
And the 7th thing I like the most that you do
You make me love you
You do, Uhuhhh, uhmmm
Uhuhuhmmm, Uhuhuhmmm View Here...
It illustrates an educational article specifically about the song from which this sample was taken. The section of music used is discussed in the article in relation to the song's lyrics, musical and vocal style, and also contains part of the song's chorus.
It is a sample of no more than 30 seconds from a much longer recording, and could not be used as a substitute for the original commercial recording or to recreate the original recording.
It is of a lower quality than the original recording.
It is not replaceable with an uncopyrighted or freely copyrighted sample of comparable educational value.
It is believed that this sample will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original recording. source: wikipedia
7 Things lyrics - Miley Cyrus
I probably shouldn’t say this
But at times I get so scared
When I think about the previous
Relationship we shared
It was awesome but we lost it
It’s not possible for me, not to care
And now we’re standing in the rain
But nothing’s ever gonna change until you hear,
My dear
The 7 things I hate about you
The 7 things I hate about you, oh you
You’re vain, your games, you’re insecure
You love me, you like her
You make me laugh, you make me cry
I don’t know which side to buy
Your friends, they’re jerks
When you act like them, just know it hurts
I wanna be with the one I know
And the 7th thing I hate the most that you do
You make me love you
It’s awkward and it’s silent
As I wait for you to say
What I need to hear now
Your sincere apology
When you mean it, I’ll believe it
If you text it, I’ll delete it
Let’s be clear
Oh, I’m not coming back
You’re taking 7 steps here
The 7 things I hate about you
You’re vain, your games, you’re insecure
You love me, you like her
You make me laugh, you make me cry
I don’t know which side to buy
Your friends, they’re jerks
When you act like them, just know it hurts
I wanna be with the one I know
And the 7th thing I hate the most that you do
You make me love you
And compared to all the great things
That would take too long to write
I probably should mention
The 7 that I like
The 7 things I like about you
Your hair, your eyes, your old Levi’s
When we kiss I’m hypnotized
You make me laugh, you make me cry
But I guess that’s both I’ll have to buy
Your hands in mine
When we’re intertwined, everything’s alright
I wanna be with the one I know
And the 7th thing I like the most that you do
You make me love you
You do, Uhuhhh, uhmmm
Uhuhuhmmm, Uhuhuhmmm View Here...
Hot N Cold Katy Perry Official Music Video
"Hot N Cold" is a song by American singer Katy Perry. The song was written and composed by Dr. Luke, Max Martin, and Perry for her second album, One of the Boys. The track was released as the album's second single. It reached number three on the Billboard Hot 100, making it Perry's second consecutive top three single, after her previous worldwide hit "I Kissed a Girl". The single has also become Perry's second top five single in dozens of countries around the world, including the U.K, Australia, Ireland and New Zealand, as well as topping the charts in Turkey, Finland, Germany, Greece, Canada, Norway and Denmark. It has topped the charts in more than 25 countries.
Hot N Cold lyrics - Katy Perry
You change your mind
Like a girl changes clothes
Yeah you, PMS
Like a bitch, I would know
And you over think
Always speak cryptically
I should know
That you're no good for me
'Cause you're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down
You're wrong when it's right
It's black and it's white
We fight, we break up
We kiss, we make up
(You) You don't really wanna stay, no
(You) But you don't really wanna go-o
You're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down
We used to be
Just like twins, so in sync
The same energy
Now's a dead battery
Used to laugh 'bout nothing
Now you're plain boring
I should know
That you're not gonna change
'Cause you're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down
You're wrong when it's right
It's black and it's white
We fight, we break up
We kiss, we make up
(You) You don't really wanna stay, no
(You) But you don't really wanna go-o
You're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down
Someone call the doctor
Got a case of love bipolar
Stuck on a roller coaster
Can't get off this ride
You change your mind
Like a girl changes clothes
'Cause you're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down
You're wrong when it's right
It's black and it's white
We fight, we break up
We kiss, we make up
You're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down
You're wrong when it's right
It's black and it's white
We fight, we break up
We kiss, we make up
(You) You don't really wanna stay, no
(You) But you don't really wanna go-o
You're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down View Here...
Hot N Cold lyrics - Katy Perry
You change your mind
Like a girl changes clothes
Yeah you, PMS
Like a bitch, I would know
And you over think
Always speak cryptically
I should know
That you're no good for me
'Cause you're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down
You're wrong when it's right
It's black and it's white
We fight, we break up
We kiss, we make up
(You) You don't really wanna stay, no
(You) But you don't really wanna go-o
You're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down
We used to be
Just like twins, so in sync
The same energy
Now's a dead battery
Used to laugh 'bout nothing
Now you're plain boring
I should know
That you're not gonna change
'Cause you're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down
You're wrong when it's right
It's black and it's white
We fight, we break up
We kiss, we make up
(You) You don't really wanna stay, no
(You) But you don't really wanna go-o
You're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down
Someone call the doctor
Got a case of love bipolar
Stuck on a roller coaster
Can't get off this ride
You change your mind
Like a girl changes clothes
'Cause you're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down
You're wrong when it's right
It's black and it's white
We fight, we break up
We kiss, we make up
You're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down
You're wrong when it's right
It's black and it's white
We fight, we break up
We kiss, we make up
(You) You don't really wanna stay, no
(You) But you don't really wanna go-o
You're hot then you're cold
You're yes then you're no
You're in then you're out
You're up then you're down View Here...
Kate Perry - Thinking of You Official Music Video First Version
First version
The first music video was released in 2007 and surfaced onto YouTube in May 2008 but has since been removed from the site. The video includes multiple rooms, including a white room with Perry that suggests violence (e.g., red wine), a dark room with an unhappy Perry in an unsatisfactory relationship, and a cloudy location. The video uses a cross-cutting technique that compares the two relationships: one with Perry reminiscing and another showing regret. The video ends with the revelation that Perry literally stabbed a man in the back in the white room.
Perry stated in an interview that the aim of the video was never to get a commercial release, but that it is just a simple video "made by a friend".
Second version
Perry revealed on her blog that she had already started filming a second and official music video in the first week of December 2008, directed by Melina. The video premiered exclusively on iTunes on December 23, 2008.
The music video is presented as a flashback montage with a young woman (played by Perry) whose lover is killed in France during the Second World War. Perry is clearly not pleased with her new love and longs for her deceased lover to be back. It features actor Matt Dallas as Perry's true love and model Anderson Davis as Perry's second love in the video. The music video for song has received more than 14 million views on YouTube. source: wikipedia View Here...
The first music video was released in 2007 and surfaced onto YouTube in May 2008 but has since been removed from the site. The video includes multiple rooms, including a white room with Perry that suggests violence (e.g., red wine), a dark room with an unhappy Perry in an unsatisfactory relationship, and a cloudy location. The video uses a cross-cutting technique that compares the two relationships: one with Perry reminiscing and another showing regret. The video ends with the revelation that Perry literally stabbed a man in the back in the white room.
Perry stated in an interview that the aim of the video was never to get a commercial release, but that it is just a simple video "made by a friend".
Second version
Perry revealed on her blog that she had already started filming a second and official music video in the first week of December 2008, directed by Melina. The video premiered exclusively on iTunes on December 23, 2008.
The music video is presented as a flashback montage with a young woman (played by Perry) whose lover is killed in France during the Second World War. Perry is clearly not pleased with her new love and longs for her deceased lover to be back. It features actor Matt Dallas as Perry's true love and model Anderson Davis as Perry's second love in the video. The music video for song has received more than 14 million views on YouTube. source: wikipedia View Here...
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